
OVERVIEW
The Winter of Mixed Drinks is filled with heartfelt, layered, scottish indie rock. Very strong front to back. The songs are never particularly quiet or loud, and changes in volume or dynamics tend to be gradual, and flow up and down, like waves that have not yet come close enough to the shore to topple over themselves. Blech, lame water analogy. I'll let that one pass though, this album is full of water themes. Many songs start with a single sound, but different instruments are quickly stacked, then the song is allowed to settle at that level for a bit before the main bits come in. The remainder of the song is usually buoyed by the base of either the initial sound, or the levelled out stack. The more I listen to it, the more I hear the atmospherics of The National, and Bon Iver's denser moments, but with a little more oomph.I found that the songs that moved me most just had an interesting vocal melody that sat just right over all the backing instrumentation and tugged at my heartstrings. I couldn't always hear the lyrics on the first go, but the communicated emotion makes me want to know what he is singing about if it makes him feel that strongly.
HIGHLIGHTS
FACEBOOKERS: click "VIEW ORIGINAL POST" to access media player
Things - The opening track is a good indicator of things to come. If you like this song, you'll like the album. Is it about getting rid of material things? Figurative baggage? Both? Good message either way, in a pleasing sonic wrapping.
Nothing Like You - An uncharacteristically speedy song, matured pop-punk verses bookended by the late 80's manchester sound on caffeine instead of acid. "She was not the cure for cancer, all my questions still ask for answers."
Foot Shooter - A kick drum anchors the E-bow and piano intro, Vocals and Bass come in to raise it up, leading into Jimmy Eat World-ish gang drums (a la Your House or Disintigration) and quick, constant guitar strums. The chorus melody is kinda weird and disjointed but familiar and catchy at the same time. Lot's of oooo-wooo backup vocals to keep it floaty.
MUSIC NERDERY
When listening to this album, one has a sense of being surrounded by the music. I think this is due to two things, the reverb and echo used on the instruments, and the frequent use of organ, strings or other sustaining sounds hiding in the background. I feel that those subtle organ or organ-like background sounds are what gives songs by bands like U2 and Coldplay that soaring feeling. Listen to some of their songs again, and pay attention to what's going on behind all the instruments and vocals that jump out of the mix.
RECOMMENDATIONS
People who will like this: fans of The National, Glen Hansard, even Explosions in the Sky, awww heck, Snow Patrol too. Also, people who like scottish accents. Good in the background, great on headphones, or good speakers in an otherwise quiet room.
Christie, you're back.
ReplyDeleteAnd with a win. FR is great, their debut was a bit better than this guy, but what can ya do.
For more Scottish love, also check out:
- Mumford and Sons (I'm sure you've heard of them already. It makes me happy when bands I love get huge on the festival circuit)
- James Vincent McMorrow (he's the next big thing. You heard it here first)
- Swell Season (as heard on the movie Once, and Glen Hansard is best known from the Frames)--> they're playing folk fest.
I'm glad you're back.
xo
A
Now having listened to the previous Frightened Rabbit Album, I will have to disagree with Alanna, I think this one is much better.
ReplyDeleteAlso, be careful Alanna, we best not be confusing the scottish with the irish.